F2.0 constant aperture lens in relatively small and lightweight body. That's what allowed the Illum camera to house a 30-250mm equiv. Speaking of F0.3 (yes, you read that right), light field allows you to simulate faster (and smaller) apertures previous thought impossible in post, which in turn places fewer demands on lens design. You can even isolate shallow or extended depth-of-field to different objects in the scene using focus spread: say F5.6 for a face to get it all in focus, but F0.3 for the rest of the scene. * Selective depth-of-field is also available in post: you can choose whether you want shallow, or extended, depth-of-field, or even transition from selective to extensive depth-of-field in your timeline.
You can focus your image after the fact, which saves critical focus and focus approach (its cadence) for post. The multiple perspectives captured mean you can generate 3D images or video from every shot at any desired parallax disparity (3D filmmakers often have to choose their disparity on-set, only able to optimize for one set of viewing conditions). We've focused on depth screening and perspective shift, but let's not forget all the other benefits light field brings.
With light field, though, those decisions are reversible. There are two optical paths, one for the actual light field capture, and the other for previewing the live view and dialing in creative decisions like exposure, focus and depth-of-field at the time of capture. Think Animoto on steroids.įront of the Lytro Cinema, on display at NAB 2016. Even from a consumer perspective, consider what auto-curation of user-generated content could do with tools like these. It's not clear yet what that range of freedom is with the Cinema, but what we saw in the short film was impressive, something cinematographers will undoubtedly welcome in place of setting up motion rigs for small camera movements. The 36 different perspectives affords you some freedom of movement in moving a virtual camera in post, but it is of course limited, affected by considerations like lens, focal length, and subject distance. There will be 36 of these 'sub-aperture' images though, each providing one of 36 different perspectives, which then allows for computational reconstruction of the image with all the benefits of light field. The difference, though, is that there is a 6圆 pixel array underneath each microlens, meaning that the image made up of only pixels on the sensor at any position (X,Y) underneath a microlens represents the scene as seen through one portion, or 'sub-aperture' of the lens. Head of Light Field Video Jon Karafin explains that in front of the sensor sits a microlens array consisting of millions of small lenses similar to what traditional cameras have.
Soon he finds himself hunted under the codename Zeus by a top-secret American containment force, Blackwatch, as he tries to piece together who he was and who is responsible for his current state.The Lytro Cinema is capable of capturing these multiple perspectives because of 'sub-aperture imaging'. The player takes the role of a mysterious amnesiac, Alex Mercer ( Barry Pepper), who awakes in a basement lab at the GenTek corporation with almost no memory of who he was and a seeming ability to control his infection, allowing him to shapeshift, access superhuman powers of regeneration, agility, speed and strength, and giving him the ability to consume humans to steal their shapes and even their skills and memories. Set in Manhattan, the game takes place over the course of 18 days and charts the outbreak and spread of a deadly virus known as Blacklight, which mutates humans into hideous, mindless monsters and turns buildings into hives spewing out contaminants.
PROTOTYPE MOVIE LICENSE
There is some speculation that it was intended to be a game about the Spider-Man villain Carnage, but that a license could not be acquired. The game builds on Radical's earlier game The Incredible Hulk: Ultimate Destruction.
PROTOTYPE MOVIE PS4
Prototype (stylized as ) is an open-world third-person action game developed by Radical Entertainment and published by Activision for Windows PC, PS3 and Xbox 360 in 2009 and for PS4 and Xbox One in 2015.
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